{"id":982,"date":"2022-11-09T16:19:45","date_gmt":"2022-11-09T16:19:45","guid":{"rendered":"https:\/\/folklore.ee\/sator\/?page_id=982"},"modified":"2022-11-09T17:04:04","modified_gmt":"2022-11-09T17:04:04","slug":"sator-22","status":"publish","type":"page","link":"https:\/\/folklore.ee\/sator\/sator-22\/","title":{"rendered":"SATOR 22"},"content":{"rendered":"<h3 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Udmurt Mythology and Folklore<\/strong><\/h3>\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis: 100%;\">\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis: 100%;\">\n<div class=\"wp-block-group\">\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis: 100%;\">\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-159 aligncenter\" src=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/12\/Sator22_esikaas-674x1024.jpg\" alt=\"Udmurt Mythology and Folklore cover\" width=\"316\" height=\"478\" \/><\/figure>\n<\/div>\n<!-- \/wp:post-content -->\n\n<\/div>\n<!-- \/wp:column -->\n\n<\/div>\n<!-- \/wp:columns -->\n\n<\/div>\n<!-- \/wp:group -->\n\n<\/div>\n<!-- \/wp:column -->\n\n<\/div>\n<!-- \/wp:columns -->\n\n<\/div>\n<!-- \/wp:column -->\n\n<\/div>\n<!-- \/wp:columns --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\">The book you have in your hands is not an ordinary book. It is the first wider approach to Udmurt folklore in English. Udmurt folkloristics has a relatively long history: taking into account the general pattern of cultural development it is more than one and a half centuries. Unhappily for international communication, it is overwhelmingly in Russian. This is the first systematic attempt to open up this rich material to the international scholarly community.<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\">Editors for this issue are <strong>Mare K\u00f5iva<\/strong>, <strong>Nikolai Anisimov<\/strong> and <strong>Eva Toulouze<\/strong>.<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":4} -->\n<h4 style=\"text-align: left;\"><strong>Full Issue<\/strong><\/h4>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22.pdf\" data-type=\"URL\" data-id=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22.pdf\">DOI: 10.7592\/Sator.2021.22<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Download Full Issue<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:separator {\"align\":\"wide\",\"className\":\"is-style-wide\"} -->\n\n<hr class=\"wp-block-separator alignwide is-style-wide\" \/>\n\n<!-- \/wp:separator --><!-- wp:heading {\"level\":4} -->\n<h4 style=\"text-align: left;\"><strong>Articles<\/strong><\/h4>\n<!-- \/wp:heading --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Preface: Ninety Years \u2013 Something Old and Something New<\/strong> (9-30)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/231-2\/\">Mare K\u00f5iva<\/a>, <a href=\"http:\/\/folklore.ee\/sator\/245-2\/\">Eva Toulouze<\/a>, <a href=\"http:\/\/folklore.ee\/sator\/231-3\/\">Nikolai Anisimov<\/a><\/em><\/p>\n<p style=\"text-align: left;\"><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.00\">https:\/\/doi.org\/10.7592\/Sator.2021.22.00<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-00.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":5,\"style\":{\"color\":{\"text\":\"#4a4a4a\"}}} -->\n<h5 class=\"has-text-color\" style=\"color: #4a4a4a; text-align: left;\"><strong>Studies in Udmurt Folkloristics<\/strong><\/h5>\n<!-- \/wp:heading --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Rituals and Socialisation in the Udmurt Folk Calendar<\/strong> (31-72)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/vladykina\/\">Tatiana Vladykina<\/a>, <a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\">Galina Glukhova<\/a>, <a href=\"http:\/\/folklore.ee\/sator\/panina\/\">Tatiana Panina<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.01\">https:\/\/doi.org\/10.7592\/Sator.2021.22.01<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-01.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Transition Periods in the Udmurt Folk Calendar and Their\nSpirits<\/strong> (73-82)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\">Galina Glukhova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.02\">https:\/\/doi.org\/10.7592\/Sator.2021.22.02<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-02.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>About <em>vozho<\/em>, the Spirit of Transition Time and Formation of Holiness among<\/strong> <strong>Udmurt and Komi<\/strong> (83-106)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/lintrop\/\">Aado Lintrop<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.03\">https:\/\/doi.org\/10.7592\/Sator.2021.22.03<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-03.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Water Bodies in Besserman Mythology and Ritual<\/strong> (107-140)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/popova\/\">Elena Popova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.04\">https:\/\/doi.org\/10.7592\/Sator.2021.22.04<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-04.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>The Udmurt Pantheon and the Udmurt Worldview<\/strong> (141-150)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/vladykina\/\">Tatiana Vladykina<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.05\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.05<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-05.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong><em>Inmar<\/em>, the Udmurt God, in Modern Udmurt Literature<\/strong> (151-166)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/arzamazov\/\">Aleksey Arzamazov<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.06\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.06<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-06.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Forest Spirits in the Udmurt Worldview<\/strong> (167-196)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/panina\/\">Tatiana Panina,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/vladykina\/\">Tatiana Vladykina<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.07\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.07<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-07.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Home Spirits in the Udmurt Mythology<\/strong> (197-224)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/vladykina\/\">Tatiana Vladykina,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\">Galina Glukhova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.08\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.08<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-08.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:paragraph {\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<p class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>A Systematic Investigation of Sacred Space in the\nKama-Vyatka Region: Udmurt Materials<\/strong> (225-256)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/shutova\/\">Nadezhda Shutova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.09\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.09<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-09.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Tradition and Diversity among Udmurt Sacrificial Priests<\/strong> (257-308)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/245-2\/\">Eva Toulouze,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/niglas\/\">Liivo Niglas<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.10\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.10<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"width\":25,\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button has-custom-width wp-block-button__width-25 is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-10.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>&#8220;Seeing off a Recruit&#8221;: The Ritual and Its Songs in the Udmurt Traditional Culture<\/strong> (309-350)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/fedorova\/\">Valeriia Fedorova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.11\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.11<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-11.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>The Ritual Importance of the Chuk, a Symbolic <\/strong>\n<strong>Bundle of Thread<\/strong> (351-376)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/vladykina\/\">Tatiana Vladykina,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\">Galina Glukhova, <\/a><a href=\"http:\/\/folklore.ee\/sator\/panina\/\">Tatiana Panina<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.12\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.12<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-12.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>A Contemporary Commemoration of the Dead: <em>Yyr-pyd s\u2019oton<\/em> in Southern Udmurtia<\/strong> (377-396)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/kornilov\/\">Denis Kornilov<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph {\"style\":{\"typography\":{\"fontSize\":\"16px\"}}} -->\n<p style=\"font-size: 16px; text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.13\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.13<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-13.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Sound in Udmurt Rituals<\/strong> (397-426)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/nurieva\/\">Irina Nurieva<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.14\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.14<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-14.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>An Udmurt Flute<\/strong> (427-438)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/pchelovodova\/\">Irina Pchelovodova<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.15\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.15<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-15.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>An Udmurt Exceptional Performer, <em>Dzhakapay<\/em><\/strong> (439-468)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/pchelovodova\/\">Irina Pchelovodova,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/231-3\/\">Nikolai Anisimov<\/a> <\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.16\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.16<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-16.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Presence Presence of Witchcraft in the Contemporary Udmurt\nVillage<\/strong> (469-502)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/231-3\/\">Nikolai Anisimov <\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.17\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.17<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-17.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":5,\"style\":{\"color\":{\"text\":\"#4a4a4a\"}}} -->\n<h5 class=\"has-text-color\" style=\"color: #4a4a4a; text-align: left;\"><strong>Book Reviews<\/strong><\/h5>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>The Udmurt Ritual Year and Its Roots<\/strong> (503-506)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"http:\/\/folklore.ee\/sator\/231-2\/\"><em>Mare K\u00f5iva<\/em> <\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.18\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.18<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-18.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>How the Udmurt Understand the World, and Man in It<\/strong> (507-516)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/245-2\/\">Eva Toulouze,<\/a><\/em> <em><a href=\"http:\/\/folklore.ee\/sator\/231-3\/\">Nikolai Anisimov<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.19\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.19<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-19.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":5,\"style\":{\"color\":{\"text\":\"#4a4a4a\"}}} -->\n<h5 class=\"has-text-color\" style=\"color: #4a4a4a; text-align: left;\"><strong>About Tatiana Vladykina<\/strong><\/h5>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Tatiana Vladykina\u2019s Contribution to Udmurt Folkloristics<\/strong> (517-528)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/arzamazov\/\">Aleksey Arzamazov, <\/a><a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\">Galina Glukhova,<\/a> <a href=\"http:\/\/folklore.ee\/sator\/panina\/\">Tatiana Panina<\/a> <\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.20\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.20<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-20.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>Grateful Remembrances<\/strong> (529-532)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/arzamazov\/\">Aleksey Arzamazov<\/a> <\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.21\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.21<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-21.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>My Teacher, My Master and My Friend for Life:\nOr the Person, the Scholar Who Determined My Fate<\/strong> (533-538)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"http:\/\/folklore.ee\/sator\/glukhova\/\"><em>Galina Glukhova<\/em> <\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.22\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.22<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-22.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>She Taught Me to See the World (Dedicated to Tatiana\nGrigoryevna Vladykina)<\/strong> (539-)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/korobova\/\">Tatiana Korobova (Okuneva) <\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.23\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.23<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-23.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>About Tatiana Vladykina<\/strong> (542-547)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/mutina\/\">Anna Mutina <\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.24\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.24<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-24.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>To Tatiana<\/strong> (548-552)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><em><a href=\"http:\/\/folklore.ee\/sator\/231-2\/\">Mare K\u00f5iva<\/a><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.25\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.25<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-25.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:heading {\"level\":6,\"style\":{\"color\":{\"text\":\"#0058d2\"}}} -->\n<h6 class=\"has-text-color\" style=\"color: #0058d2; text-align: left;\"><strong>A Mind That Understands Words\u2026<\/strong> (553-562)<\/h6>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"http:\/\/folklore.ee\/sator\/245-2\/\"><em>Eva Toulouze<\/em> <\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p style=\"text-align: left;\"><a href=\"https:\/\/doi.org\/10.7592\/Sator.2021.22.26\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.7592\/Sator.2021.22.26<\/a><\/p>\n<!-- \/wp:paragraph --><!-- wp:buttons -->\n<div class=\"wp-block-buttons\"><!-- wp:button {\"className\":\"is-style-outline\"} -->\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/folklore.ee\/sator\/wp-content\/uploads\/2021\/11\/sator22-26.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Full Text<\/a><\/div>\n<!-- \/wp:button -->\n\n<\/div>\n<!-- \/wp:buttons --><!-- wp:paragraph -->\n\n<!-- \/wp:paragraph --><!-- wp:separator {\"align\":\"wide\",\"className\":\"is-style-wide\"} -->\n\n<hr class=\"wp-block-separator alignwide is-style-wide\" \/>\n\n<!-- \/wp:separator --><!-- wp:paragraph -->","protected":false},"excerpt":{"rendered":"<p>Udmurt Mythology and Folklore The book you have in your hands is not an ordinary book. It is the first wider approach to Udmurt folklore in English. Udmurt folkloristics has a relatively long history: taking into account the general pattern of cultural development it is more than one and a half centuries. Unhappily for international [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"hide_page_title":"","footnotes":""},"class_list":["post-982","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/pages\/982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/comments?post=982"}],"version-history":[{"count":2,"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/pages\/982\/revisions"}],"predecessor-version":[{"id":993,"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/pages\/982\/revisions\/993"}],"wp:attachment":[{"href":"https:\/\/folklore.ee\/sator\/wp-json\/wp\/v2\/media?parent=982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}